The utility of rioting has been an important debate of late. For some, destruction of property seems to be a step too far; others recognize...

Lili Horvát joins her fellow countryman Kornél Mundruczó (whose Pieces of a Woman offered a melodramatic look at the complexities of lost mo...

Like Gaspar Noé's Irréversible before it, Violation masterfully plays with the promise of catharsis supposedly ingrained in the "rape and re...

Good Joe Bell offers Mark Wahlberg a dramatic turn without doing much to advance the issues it's attempting to tackle. Talking about intenti...

Hungarian director Kornél Mundruczó, a film festival mainstay thanks to White God and Jupiter's Moon, delivers his English-language debut wi...

Come True has a lot going for it: an incredible, haunting score, genuinely terrifying visuals and a sense of slow-burn atmospheric dread. Al...

Forget the Maysles Brothers and their played-out cinéma vérité. Thanks to Tiger King and all of those Fyre Fest flicks, the new unstoppable...

At once atmospheric and melodramatic, Vertigo is a film that makes the most of its dizzying tone. Directed by Jeon Gye-soo, the South Korean...

While David Wain's 2012 comedy Wanderlust caught a handful of solid laughs from its nudist colony cast, few films have really delved deep in...

Killer objects are pretty en vogue when it comes to slashers: we've got killer beds, killer lawnmowers, killer tires, killer gym equipment,...

The second feature from Brea Grant (writer and star of the excellent Lucky, also playing at the virtual version of the Fantasia Internationa...